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Installations & Projects

    EXSOTERIA, 2024
    Wasteland, 2023
      Three Service Desks, 2023
    No House With No Dead, 2019
 Retention, 2016
Extraction, 2015

Sculpture




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    ©2024 PazSher

    No House With No Dead, 2018

    The New Gallery Artists’ Studios Teddy, Jerusalem;
    Group show - Disorientation curated by Irena Gordon


    Mixed media installation;
    Plywood, plaster, windows, one-way mirrors film, duck tape, cement, steel, wire cables, a ready-made door, Styrofoam, silicone, sheet metal, Nylon, sewing thread, zip locks, poster prints,  a towel, and bones.



    Doorway, 2018; Dimensions: 36x80x40”; A free standing ready-made door with an archaeological stone jamb, stands open and leads nowhere.
    No House With No Dead, 2018; Dimensions: 8x6.67x18’; A building with one-way mirrors is cut in half. The building is taped like a cardboard box, sealed to the gaze and painted with cement. In an ancient Muslim cemetery in Jerusalem, near by my previous house, the tomb stones have a curved concave to collect water from the rain, a poetic gesture to the dead.
    An upside down full skeleton structure is floating above. 
    Mezozah I-phone; Dimensions: 2.65x5.45x7”; 
    The distances between the stiches to the edge of the nylon sheet were framing the door. What remarks the edges of a door? Where can we point out an edge of something that is permanently open? 
          SHE                                
              Said                                
    That I am not              
        Pleasant                                (Naim)
    Descend and Rise; Dimensions: 32x24x2.75” (=7 cm); Plywood removed from the building painted with cement. A strip of one-way mirror film fixed at the bottom;